Sashiko: Japan turns mending into a high art

Sashiko art by Nonoichi featured on @bluandwhite_japan‘s Instagram (Photo thanks to @bluandwhite_japan)

If quilting and embroidery had a child, this would be it. Sashiko isn’t the only mundane chore Japan has made into a high art (check out the everyday objects that inspired the Mingei Movement) but it’s one that anyone who lives anywhere in the world can enjoy…and do themselves!

I first encountered sashiko at the epic Tokyo International Quilt Show in 2016, when this beauty stopped me in my tracks.

“Kaleidoscope” by Hideko Onozaki

At first I thought it was a pieced quilt like the others on display, but when I stepped closer, I saw that instead of using fabric printed with different patterns, every one of those “pieces” was meticulously covered in sashiko stitching.

Sashiko uses nothing more elaborate than a simple running stitch, but it’s as decorative as embroidery and fastens two or more layers of cloth together as securely as quilting.

So many patterns can be made with such a simple stitch!

It started as a way for frugal farmers to re-use every scrap of homespun cloth to make quilts and garments last another season. Scraps of whole cloth were layered over worn parts with running stitches, a patching technique that is still prized by textile collectors today, and known as boro.

Photo thanks to @sashiko.lab on Instagram

But people started to notice that the more a garment was mended, the more interesting and beautiful it became…

Photo thanks to @bluandwhite_japan on Instagram

so it wasn’t long before the stitching began to take on a decorative aspect too. Not just to hold the layers together, but as a design element in its own right.

Sashiko art by Nonoichi featured on @bluandwhite_japan‘s Instagram (Photo thanks to @bluandwhite_japan)

As patching evolved to be more than mending, artists spanning the entire range from traditional…

Photo thanks to @sashikostory on Instagram

to contemporary began to adopt its techniques, much like modern-day artists have embraced quilting and embroidery.

Sashiko art by Nonoichi featured on @bluandwhite_japan‘s Instagram (Photo thanks to @bluandwhite_japan)

Needlewomen have devised ever-more-elaborate patterns, all based on a simple running stitch.

Photo thanks to @sashiko.lab on Instagram

These days, sashiko artists use this most basic of stitches to create intricate patterns…

Photo thanks to @sashikostory on Instagram

change the color of thread to add interest…

Photo thanks to @sashikostory on Instagram

or depth…

Photo thanks to @sashikostory on Instagram

The running stitch can be used to outline complex characters…

Photo thanks to @sashikostory on Instagram

depict lanterns hanging at a shrine…

Photo thanks to @sashiko.lab on Instagram

or make graphic use of negative space, like this utterly want-worthy piece.

Photo thanks to @sashikostory on Instagram

I’m sure you won’t be surprised that it can turn ordinary clothing into high art, like these stunning coats worn by attendees at one of @sashikostory‘s workshops…

Photo thanks to @sashikostory on Instagram

or this incredible blue-on-white piece by Miyoko Tokunaga.

Artist: Miyoko Tokunaga (Photo thanks to @bluandwhite_japan on Instagram)

One of the things I especially love about sashiko is that it raises upcycling to an art. Even ratty sneaks become beyond cool after being stitched by @sashiko_gals.

Photo thanks to @sashiko_gals on Instagram

Sashiko was originally done with thick white or pale blue thread on indigo-dyed hemp or cotton, but modern sashiko artists freely use every color of the rainbow, combining colors to highlight different parts of the pattern.

Photo thanks to @sashiko.lab on Instagram

And guess what amazing thing I discovered when I made a pilgrimage to the Hobbyra Hobbyre sashiko supply shop in Ginza? If the stitching is done in the proper order, it creates a different pattern on the back!

The thing that amazed me is that the front and back patterns were so different, and both were beautiful.

It’s hard to decide which is the back and which is the front on this one.

Would you have guessed that the back of this intricate pattern would be so simple, yet so compelling?

Hobbyra Hobbire is my favorite place to shop for sashiko supplies, because they not only carry every color of thread and cloth printed with guides so you can learn and practice new stitches, they have a dizzying array of actual hand-stitched samples you can browse before you invest hours of your life sashiko-ing everything you own.

So hard to decide!

Inspired and want to try it yourself? There aren’t many books on how to do sashiko written in English, so the fastest way to get up to speed is to take a workshop with a master stitcher. If you’re not coming to Japan anytime soon, several of the sashiko artists who post on Instagram offer online workshops too.

You can also order kits that provide the right materials and a pattern printed on the cloth, to get you started.

These are from Odakaya in Shinjuku, but you can also find kits online if you live outside Japan

But if you just can’t wait, sashiko is best done on hemp or linen fabrics with a not-too-intense thread count, and in a pinch, you can use regular high-quality embroidery floss (like DMC). It’s much easier to get a good result right out of the gate if you buy long-staple sashiko thread and the special long needles the artists use, though—you’ll appreciate being able to thread on more stitches at a time and spend less time unsnarling.

For loads more inspiration, follow sashiko artists who post on Instagram, like @sashikostory, @sashiko_lab and @sashiko_gals

and discover new ones through the always-eyepopping Japanese art finds at @bluandwhite_japan

If you’d like to see a ray of Japanese sunshine amid the grim stuff in your in-box, subscribe!

Jonelle Patrick writes novels set in Japan, produces the monthly e-magazine Japanagram, and blogs at Only In Japan and The Tokyo Guide I Wish I’d Had

Published by Jonelle Patrick

Writes all the Japan things.

One thought on “Sashiko: Japan turns mending into a high art

Leave a reply to Diane Wilt Cancel reply